Author Archives: Shira Dentz

door of thin skins reviewed in Cutbank

“It is emotionally complex and riveting despite its detachment. It complicates the label of confessional poetry or memoir with its formal agility and its conceptual demands of its reader. It is a welcome addition to those books that teach us … Continue reading

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reviewed by Tabios in Galactea Resurrects issue 21

“I am grateful the poet created this book.” Read full review by Eileen Tabios

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reviewed by Rabinowitz in Galatea Resurrects Issue 21

“Perhaps we need a new genre to define Dentz’s work: autobio-poetics, for example, work that mines intense (in this case, devastating) personal experience through hybrid forms for its lyric potential and narrative exigencies creating a text that is part memoir/part … Continue reading

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reviewed in Rain Taxi, winter issue 2014

Megan Burns reviews door of thin skins: “Poetry is fiction that is born from truth…” //  “What unlocks the unlocked voice? Can it be simply said or is the space that poetry inhabits, a space that teaches us to see … Continue reading

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reviewed in The Rumpus

Organizational principles. Shira Dentz’s door of thin skins has a few. Persona. Metaphor. Hearts. Birds. Diagrams. What Dentz does so well in this collection is to connect then turn inside-out these organizations. Nicole Walker reviews door of thin skins here

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door of thin skins reviewed in Rattle

The brilliance of Door of Thin Skins lies not only in the narrative, but also in the way Shira Dentz stretches and fractures language, not just to report on damage, but to enact damage, trauma and the mind’s desperate attempt … Continue reading

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door of thin skins reviewed in American Book Review

door of thin skins is reviewed by Jane L. Carman in the current issue of American Book Review, Sex Writing, edited by Cris Mazza. Project MUSE – Triple Shot

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Review of door of thin skins in Diagram 13.5!

The text contracts, jumps, exceeds the margins of a conventional page, stretching as long as Dr. Abe’s legendary, menacing hands. Dentz uses typography to portray the split between the speaker’s experience and her reach for language to articulate it, such … Continue reading

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Review of door of thin skins in Green Mountain Review

Part poetry, part prose, Shira Dentz’s latest collection breaks apart expectations of form and language, resisting category at every turn. Read Kay Cosgrove’s review of door of thin skins in Green Mountain Review here

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Jill Magi’s imagined interdisciplinary course on violence and nonviolence in which she imagines including my door of thin skins, Rob Fitterman’s Holocaust Museum, Julie Carr’s 100 Notes on Violence, as well as works of sculpture, philosophy, and performance.

Notes for an Interdisciplinary Syllabus: Critical Views on Violence, Non-violence [Works by Carr, Das, Kapil, Dentz, King, Estevez, Margulis, McPhee, Fitterman, Farrow, Snyder]

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