SHIRA DENTZ            DENIS GRAY          JANET HAMILL

HOSTED BY GEORGE WALLACE

Tuesday, December 04, 2018

Apology

a-p-o-lo apo lo l-o-g-y—

read the rest of the poem here

“After-After”

I’ll be reading as part of Utica College’s Jackson Lunch Hour Series in MacFarlane Audtiorium in Utica, NY, on Wednesday, Nov. 14, 2018, at 12:30PM. More details can be found here

Join me for a one-day intensive workshop on the prose poem on Saturday, November 10. 2018, at the Hudson Valley Writer’s Center in Sleepy Hollow, NY. The day will consist of both generative experiments and workshopping, 12:30–4:30PM. You can find more details and registration information here

Writing the Prose Poem
November 10, 12:30 – 4:30pm
Hudson Valley Writers Center, Sleepy Hollow, NY

This one-day intensive workshop will consist of generative exercises and workshop. We’ll explore the elusive form of the prose poem through reading and discussing prose poems by poets including Francis Ponge, Rosmarie Waldrop, Claudia Rankine, and Charles Simic, and writing prompts will follow each of our discussions. Each hour we’ll enter a different portal to this liminal space, shifting our starting point from objects to metaphysics to social autobiography to the surreal. The question, “What is a prose poem?,” has been notoriously difficult to answer, and we will embark on an open-ended journey. Since form can be viewed in relation to its content, the prose poem is perhaps a most uncontained form (despite its formal regularity on the page). Together, we will plumb this textual and textural space, the nascent matter in your own generative imagination. As prelude to each day’s class, we will do warm-up sensory/language experiments to flex your bodily sense-perceptions, language, and imagination, and we will conclude on the second day with an extended workshop that will give everyone the chance to refine at least one prose poem they drafted through this workshop.

Ralph Pennel reviews how do i net thee at The Iowa Review

The essential idea behind string theory is this: all fundamental particles of the Standard Model (which describes both the building blocks out of which t

he world is made and the forces through which these blocks interact) are really just different vibrating, oscillating strings. And, in many ways, this is also the shape that any work of art’s meaning takes inside us. This meaning vibrates within us at such a frequency that we are provided with ways to see how consciousness is also a consistent and fundamental component of the structure of the universe. how do i net thee, the latest collection of poetry by Shira Dentz, works to attempt just that. Each poem in the collection is a net, each line a thread, shaping and bending the fabric of meaning and what the fabric means within us. The book challenges us to simultaneously accept improbability and the improbability of singular interpretation, to work toward and against attempting to unify our curiosities, to accept that the greater truth eschews we even attempt to accept this truth. And it does so masterfully. Read more here

The University of Notre Dame is hosting the festival this year, and on Saturday, 10/6, 10:30AM—Noon, I will be participating on a panel, “(An) Alternate Notion(s) of Home,” with Johannes Görranssen, Mary-Kim Arnold, Diana Khoi Nguyen, and Alison Grimaldi Donahue. Details can be found here.

Laura Hinton, Amy King, Susan Lewis, and I will be reading at The Golden Notebook Bookstore in Woodstock, NY,
at 4:30PM.