If you’re coming to AWP, please consider stopping by to say hi & celebrate with me at my book signing of my new poetry book, how do i net thee, on Thursday, 3/8, 2–4PM, at Salmon Poetry’s Booth #907! I haven’t seen the book hot off the press yet myself, so come be on the same page with me, in more than ways than one!
Friday, March 9, 7PM at Blind Tiger Cafe (1901 E 7th Ave) in Ybor City, 10 minute drive from the main convention hotel at AWP Tampa 2018.
my new book is at the printer! more info soon!
Come to Poetry Thursdays at Russell Sage College’s The Rev Reading Series curated by Matthew Klane! I’m reading with Geoffrey Babbitt at 7 pm on 2/22. Geoffrey Babbitt will be reading poems from his new book of poems, Appendices Pulled from a Study on Light, hot off the press from Spuyten Duyvil, and my reading will include pieces from my forthcoming book, how do i net thee, out next month from Salmon Poetry.
Sage College is in downtown Troy, and this reading series takes place in the Donahue Poetry Room, Shea 2nd Floor.
(photo by Kathy High)
This week, two new prose poems, “Upstate New York Gray (no. 1)” and“Upstate New York Gray (no. 2)” in Entropy Magazine’s Sunday ON WEATHER Series.
SUNDAY, JUNE 11th, 2017
KATHLINE CARR & SHIRA DENTZ
READING AND BOOK SIGNING
Shira Dentz is the author of three full-length books, black seeds on a white dish (Shearsman), door of thin skins (CavanKerry), and how do i net thee (Salmon Poetry, forthcoming 2018), and two chapbooks, Leaf Weather (Shearsman), and FLOUNDERS (Essay Press).
Kathline Carr, writer and visual artist, is the author of Miraculum Monstrum, forthcoming from Red Hen Press and winner of the 2015 Clarissa Dalloway Book Prize. Carr’s writing and art have appeared in Yew Journal, Entropy, Alexandria Quarterly, Calyx, Connecticut Review, and elsewhere.
6pm – 7pm at Bascom Lodge, North Adams, MA / Mount Greylock State Reservation, DCR, The Historic Curatorship Program
FREE and Open to the Public, in the lodge. Directions and additional info here.
at Hobart and William Smith Colleges • 7:30PM, Hirshson Ballroom
Koh Xin Tian interviews me about FLOUNDERS, my new e-chap from Essay Press (downloadable for free at Essay Press here)!
Koh Xin Tian: Journaling, poetry, prose, and the intersection of different registers and styles of text come together in the form of your poetry chapbook FLOUNDERS. In the introduction, you write: “I want the texture of this work to be soft like wax, melting in places though not evaporating, some spots more hardened than others. The text throughout this chapbook shifts between fragments, sentences, poetry, prose, visual elements, objective/subjective content, up-close and distant perspectives.” As a graphic designer and writer, does the macro come before the micro or vice versa for you when you are picturing a completed product?
CONTINUE READING HERE