Here are two excerpts from Cody Stetzel’s review of Sisyphusina in Colorado Review:
What I admire about Sisyphusina is that whether through time, the self, or the image at work, there is an attempt at definition even if it is an untrustworthy definition. The willingness to tempt solution, I think, is a particularly innovative flourish throughout the work.
What we think is a total picture
is a series, an addition of parts.
In the end, Sisyphusina reminds me very much of the interpsychic demonstrations that Clarice Lispector offers, and the work brought me back to a quote from The Passion According to G.H.––“Give me your unknown hand, since life is hurting me, and I don’t know how to speak—.” That in all of its work is both the known and unknown hand, yearning for some form of assistance in creating the picture. Lispector would very much create a character whose realness startled her, and in this way I found Dentz’s written moments like in “Flounders,”
I seem to not want to explore my feeling now that she was
almost burning to the next room tearing up those papers.
to yield a refreshing innovation, almost burning, yielding nothing to the confining limitations of tradition, expectation, and a poetic world.
You can read the full review at Colorado Review here